The Bajrang Baan is Goswami Tulsidas's most-charged Hanuman text – a 35-chaupai warrior hymn (the word baan means 'arrow') invoking Hanuman as the destroyer of fear, ghosts, evil influence, and severe difficulty. Distinct from the gentler Hanuman Chalisa, the Bajrang Baan is structured as a direct call to action – every verse asks Hanuman to come immediately, strike the enemy, lift the devotee from danger. Verses 5-12 narrate Hanuman's Lanka-leap and Sundar Kand achievements (his ocean-leap, the Lankini-encounter, the meeting with Vibhishana, the burning of Lanka). Verses 16-20 carry the famous "Om hreem hreem hreem" and "Om hum hum hum" bija-mantras embedded in the chaupais themselves – making the Bajrang Baan one of the few mainstream household texts that is also a Tantric kavach. Verses 26-29 explicitly invoke Hanuman against ghosts (bhoot), spirits (pret), pishachas, nishacharas, fire-demons, betal, and kaal-mara.

Tuesday and Saturday are the standard Bajrang Baan days – the same as the Hanuman Chalisa. The traditional household sequence is: Hanuman Chalisa first, then Bajrang Baan after. The Hanuman Chalisa is the daily anchor; the Bajrang Baan is the additional force-text added when the situation calls for it. Many devotees recite it daily during stretches of severe illness, supernatural disturbance, sustained injustice, or any phase where ordinary household worship feels insufficient. Verses 36-39 of the Bajrang Baan promise: whoever recites it has Hanuman protect their life, ghosts and spirits tremble before them, and no torment remains in their body. Pair with the Hanuman Chalisa for the standard daily morning practice and with the Sankatmochan Hanumanashtak for crisis-prayer.

This page has the full Bajrang Baan with lyrics in Devanagari and Romanized English, and a short English meaning under every verse. Three closely related texts to know alongside – the Hanuman Chalisa (the foundation; Tulsidas's 40-verse hymn paired daily), the Sankatmochan Hanumanashtak (Tulsidas's 8-verse crisis-prayer, traditionally read when a specific calamity has struck), and the Hanuman Bahuk (Tulsidas's longer prayer for healing of body-pain, especially shoulder/arm/joint pain). The Bajrang Baan is the force-text in this Hanuman corpus – the one taken up when the situation requires the strongest devotional response.

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Bajrang Baan with Lyrics – Tulsidas Hanuman warrior hymn
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Lyrics with meaning

The complete Bajrang Baan – two opening dohas, forty chaupais, and a closing doha. A short English meaning sits below every verse. Toggle the script to read in Devanagari, romanized, or both side-by-side.

Opening Doha

निश्चय प्रेम प्रतीति ते, विनय करैं सनमान। तेहि के कारज सकल शुभ, सिद्ध करैं हनुमान॥

Nishchay prem pratiti te, vinay karain sanmaan. Tehi ke kaaraj sakal shubh, siddh karain Hanuman.

With firm love and faith, those who pray with respect. For them, every auspicious work is accomplished by Hanuman.

Chaupai 1

जय हनुमंत संत हितकारी। सुन लीजै प्रभु अरज हमारी॥

Jai Hanumant sant hitkari. Sun lijai Prabhu araj hamari.

Hail Hanumant, benefactor of the saintly. Lord, listen to our prayer.

Chaupai 2

जन के काज विलम्ब न कीजै। आतुर दौरि महासुख दीजै॥

Jan ke kaaj vilamb na kijai. Atur dauri maha-sukh dijai.

Do not delay in your devotee's work. Run urgently and grant great joy.

Chaupai 3

जैसे कूदि सिंधु पारा। सुरसा बदन पैठि विस्तारा॥

Jaise koodi sindhu para. Surasa badan paithi vistara.

As you leapt across the ocean. As you entered Surasa's mouth and grew vast.

Chaupai 4

आगे जाय लंकिनी रोका। मारेहु लात गई सुर लोका॥

Aage jaay Lankini roka. Marehu laat gayi sur loka.

Going further, Lankini blocked you. With one kick, she went to the celestial realm.

Chaupai 5

जाय विभीषण को सुख दीन्हा। सीता निरखि परम पद लीन्हा॥

Jaay Vibhishan ko sukh dinha. Sita nirakhi param pad linha.

You went and gave joy to Vibhishana. Beholding Sita, you attained the supreme state.

Chaupai 6

बाग उजारि सिन्धु महँ बोरा। अति आतुर यम कातर तोरा॥

Baag ujari sindhu mahan bora. Ati atur Yam katar tora.

You destroyed the garden, sank into the ocean. Even Yama, in great urgency, became helpless before you.

Chaupai 7

अक्षय कुमार को मारि संहारा। लूम लपेटि लंक को जारा॥

Akshay Kumar ko maari sanhara. Loom lapeti Lank ko jaara.

You slew Akshaya Kumara. Wrapping your tail, you burned Lanka.

Chaupai 8

लाह समान लंक जरि गई। जय जय धुनि सुरपुर में भई॥

Lah saman Lank jari gayi. Jai jai dhuni surpur mein bhayi.

Lanka burned like lac. The cry of 'jai jai' arose in the city of the gods.

Chaupai 9

अब विलम्ब केहि कारन स्वामी। कृपा करहु उर अन्तर्यामी॥

Ab vilamb kehi karan swami. Kripa karahu ur antaryami.

Now why this delay, Lord? Show grace, inner-knower of the heart.

Chaupai 10

जय जय लखन प्राण के दाता। आतुर होई दुख करहु निपाता॥

Jai jai Lakhan pran ke data. Atur hoi dukh karahu nipata.

Hail, hail, giver of life to Lakshman. Become urgent and destroy our sorrow.

Chaupai 11

जय गिरिधर जय जय सुख सागर। सुर समूह समरथ भट नागर॥

Jai Giridhar jai jai sukh sagar. Sur samuh samarath bhat nagar.

Hail mountain-bearer, hail ocean of joy. Mighty warrior of the assembly of gods.

Chaupai 12

श्री हनु हनु हनु हनुमन्त हठीले। बैरिहिं मारु बज्र की कीले॥

Shri hanu hanu hanu Hanumant hathile. Bairihin maru vajra ki kile.

Shri hanu hanu hanu Hanumant the resolute. Strike the enemy with the nail of vajra.

Chaupai 13

गदा बज्र लै बैरिहिं मारो। महाराज प्रभु दास उबारो॥

Gada vajra lai bairihin maaro. Maharaj Prabhu das ubaaro.

Take the mace and vajra, strike the enemy. Great king, Lord, lift up your servant.

Chaupai 14

ओंकार हुंकार महाप्रभु धावो। बज्र गदा हनु विलम्ब न लावो॥

Onkar hunkar maha-prabhu dhavo. Vajra gada hanu vilamb na lavo.

With Omkar and hunkar, great Lord, run. Vajra and mace – Hanuman, do not delay.

Chaupai 15

ओ३म् ह्रीं ह्रीं ह्रीं हनुमंत कपीसा। ओ३म् हुं हुं हुं हनु अरि उर शीशा॥

Om hreem hreem hreem Hanumant kapisa. Om hum hum hum hanu ari ur shisha.

Om Hreem Hreem Hreem Hanumant, lord of monkeys. Om Hum Hum Hum Hanu, on the chest and head of the enemy. (The bija-mantra core of the Bajrang Baan – embedded directly in the chaupai.)

Chaupai 16

सत्य होहु हरि शपथ पाय के। राम दूत धरु मारु धावके॥

Satya hohu Hari shapath paay ke. Ram doot dharu maaru dhavke.

Be true, having taken the oath of Hari. Ram's messenger, hold and strike, run.

Chaupai 17

जय जय जय हनुमंत अगाधा। दुख पावत जन केहि अपराधा॥

Jai jai jai Hanumant agadha. Dukh pavat jan kehi aparadha.

Hail, hail, hail Hanumant the unfathomable. For what offence does your devotee suffer?

Chaupai 18

पूजा जप तप नेम अचारा। नहिं जानत हौं दास तुम्हारा॥

Puja jap tap nem achara. Nahin janat hau das tumhara.

Worship, japa, tapasya, vow, ritual. I do not know these – I am your servant.

Chaupai 19

वन उपवन मग गिरि गृह माहीं। तुम्हरे बल हम डरपत नाहीं॥

Van upvan mag giri grih mahin. Tumhare bal ham darpat nahin.

In forest, garden, road, mountain, or home. By your strength, we are not afraid.

Chaupai 20

पाँय परौं कर जोरि मनावौं। यहि अवसर अब केहि गोहरावौं॥

Paanv parau kar jori manavau. Yahi avsar ab kehi gohravau.

I fall at your feet, with folded hands I plead. At this moment, whom else shall I call?

Chaupai 21

जय अंजनि कुमार बलवंता। शंकर सुवन वीर हनुमंता॥

Jai Anjani kumar balvanta. Shankar suvan veer Hanumanta.

Hail, mighty son of Anjani. Son of Shankar, brave Hanumanta.

Chaupai 22

बदन कराल काल कुलघालक। राम सहाय सदा प्रति पालक॥

Badan karal kaal kul-ghalak. Ram sahay sada prati palak.

Fierce-faced, destroyer of the family of death. Helper of Ram, ever-protecting devotees.

Chaupai 23

भूत प्रेत पिशाच निशाचर। अग्नि बैताल काल मारी मर॥

Bhoot pret pishach nishachar. Agni baital kaal mari mar.

Ghosts, spirits, pishachas, night-stalkers. Fire-demons, vetals, kaal-mari, death itself...

Chaupai 24

इन्हें मारु तोहि शपथ राम की। राखु नाथ मर्यादा नाम की॥

Inhein maaru tohi shapath Ram ki. Rakhu nath maryada naam ki.

Strike them down – I take the oath of Ram. Lord, preserve the dignity of your name.

Chaupai 25

जनक सुता हरिदास कहावो। ताकी शपथ विलम्ब न लावो॥

Janak suta Haridas kahavo. Taki shapath vilamb na lavo.

You are called the servant of Janaka's daughter's Lord (Sita-pati Ram). By that oath, do not delay.

Chaupai 26

जय जय जय धुनि होत अकाशा। सुमिरत होत दुसह दुख नाशा॥

Jai jai jai dhuni hot akasha. Sumirat hot dushah dukh nasha.

The cry of 'jai jai jai' rings in the sky. By remembering you, unbearable sorrow is destroyed.

Chaupai 27

चरण शरण कर जोरि मनावौं। यहि अवसर अब केहि गोहरावौं॥

Charan sharan kar jori manavau. Yahi avsar ab kehi gohravau.

I take refuge at your feet, with folded hands I plead. At this moment, whom else shall I call?

Chaupai 28

उठु उठु चलू तोहि राम दुहाई। पांय परौ कर जोरि मनाई॥

Uthu uthu chalu tohi Ram duhai. Paanv parau kar jori manai.

Rise, rise, come – I invoke Ram's name. I fall at your feet, plead with folded hands.

Chaupai 29

ॐ चं चं चं चं चपल चलन्ता। ॐ हनु हनु हनु हनु हनुमन्ता॥

Om cham cham cham cham chapal chalanta. Om hanu hanu hanu hanu Hanumanta.

Om cham cham cham cham, swift mover. Om hanu hanu hanu hanu Hanumanta. (Another bija-mantra layer.)

Chaupai 30

ॐ हं हं हाँक देत कपि चंचल। ओम् सं सं सहमि पराने खल दल॥

Om ham ham haank det kapi chanchal. Om sam sam sahami parane khal dal.

Om ham ham, the restless monkey gives a roar. Om sam sam, the wicked army flees in terror.

Chaupai 31

अपने जन को तुरत उबारो। सुमिरत होय आनन्द हमारो॥

Apne jan ko turat ubaaro. Sumirat hoy anand hamaro.

Lift up your devotee at once. By your remembrance, our joy comes.

Chaupai 32

यह बजरंग बाण जेहि मारे। ताहि कहो फिर कौन उबारे॥

Yah Bajrang Baan jehi maare. Tahi kaho phir kaun ubaare.

Whom this Bajrang Baan strikes – say then, who can save them?

Chaupai 33

पाठ करैं बजरंग बाण की। हनुमान रक्षा करें प्राण की॥

Paath karain Bajrang Baan ki. Hanuman raksha karein pran ki.

Whoever recites the Bajrang Baan. Hanuman protects their very life.

Chaupai 34

यह बजरंग बाण जो जापै। ताते भूत प्रेत सब कांपै॥

Yah Bajrang Baan jo japai. Tate bhoot pret sab kanpai.

Whoever recites this Bajrang Baan. From them, all ghosts and spirits tremble.

Chaupai 35

धूप देय अरु जपै हमेशा। ताके तन नहिं रहै कलेशा॥

Dhoop dey aru japai hamesha. Take tan nahin rahai klesha.

Whoever offers dhoop and recites always. No torment remains in their body.

Closing Doha

प्रेम प्रतीतिहि कपि भजे, सदा धरै उर ध्यान। तेहि के कारज सकल शुभ, सिद्धि करैं हनुमान॥

Prem pratitihi kapi bhaje, sada dharai ur dhyan. Tehi ke kaaraj sakal shubh, siddhi karain Hanuman.

With love and faith, whoever worships the kapi, holding meditation always in the heart. For them, every auspicious work is accomplished by Hanuman.

Why this chalisa

What the Bajrang Baan is recited for, and what people turn to it for.

Force-text for severe protection needs

The Bajrang Baan is the strongest Hanuman text in the household repertoire – verses 23-24 directly call on Hanuman to strike ghosts (bhoot), spirits (pret), pishachas, night-stalkers (nishachar), fire-demons (agni-baital), kaal-mari, and death itself. Verses 32-35 promise that the recitation alone makes ghosts and spirits flee, and that no torment remains in the body. Many devotees recite it daily during stretches of supernatural disturbance, sustained injustice, or any phase where the standard Hanuman Chalisa feels insufficient. The traditional rule: never recite the Bajrang Baan as the only Hanuman text – always pair it with the Hanuman Chalisa first.

The bija-mantra power-cells

Verses 15, 29, and 30 of the Bajrang Baan carry directly embedded bija-mantras: Om Hreem Hreem Hreem Hanumant Kapisa (verse 15), Om Hum Hum Hum Hanu Ari Ur Shisha (verse 15), Om Cham Cham Cham Cham Chapal Chalanta (verse 29), Om Ham Ham Haank Det Kapi Chanchal (verse 30), Om Sam Sam Sahami Parane Khal Dal (verse 30). These are unusual – most household texts do not carry bija-mantras directly. The Bajrang Baan is one of the few that bridges the household and tantric traditions. Many devotees pause on these verses and repeat them as brief japa.

For major life crisis

Many devotees take a vow to recite the Bajrang Baan 11 paaths at once during a single sitting at moments of severe crisis – job loss, court matter, sustained illness, family conflict that has gone on too long, supernatural disturbance, harm by a powerful enemy. The traditional rule: do not undertake the 11-paath vow lightly. The Bajrang Baan is a force-text and should be used when the situation calls for force.

Companion to Hanuman Chalisa for daily practice

The standard household sequence is: Hanuman Chalisa first (the foundation), then Bajrang Baan after. Many homes do this daily on Tuesdays and Saturdays, and during sustained difficulty. The Hanuman Chalisa establishes the worship; the Bajrang Baan applies the force. Pair also with the Sankatmochan Hanumanashtak for crisis-prayer and the Hanuman Bahuk for body-pain healing.

For Tuesday/Saturday Hanuman vrats

Many homes that observe the standard Hanuman vrat – fasting on Tuesdays or Saturdays, especially during stretches of difficulty – include the Bajrang Baan as part of the morning paath. Verse 19 directly anchors the practitioner: "van upvan mag giri grih mahin, tumhare bal ham darpat nahin" – 'in forest, road, mountain, home – by your strength we are not afraid.' Verse 33 promises Hanuman protects the very life of the daily reciter.

Companion to the wider Tulsidas Hanuman corpus

The Bajrang Baan is one of the four major Tulsidas Hanuman texts: (1) Hanuman Chalisa – the daily forty-verse hymn; (2) Bajrang Baan – the warrior-arrow; (3) Sankatmochan Hanumanashtak – the eight-verse crisis-prayer; (4) Hanuman Bahuk – the body-pain healing prayer. Together they form the complete Tulsidas Hanuman corpus, recited on different days and for different purposes.

Origin

The Bajrang Baan is composed by Goswami Tulsidas (c. 1532-1623 CE) – the same poet who composed the Hanuman Chalisa, the Sankatmochan Hanumanashtak, the Hanuman Bahuk, and the Ramcharitmanas. Tulsidas's Hanuman texts together form the central corpus of north Indian Hanuman-bhakti. The Bajrang Baan was likely composed in the late 16th century, written in Awadhi (the language of Tulsidas's region around Ayodhya-Varanasi).

The Bajrang Baan is structurally and tonally distinct from the Hanuman Chalisa. The Hanuman Chalisa is a hymn of praise – describing Hanuman's qualities, narrating his life, asking for grace. The Bajrang Baan is a hymn of action – urgent, repeated calls to Hanuman to come immediately, strike the enemy, lift the devotee. The word baan means 'arrow' – the Bajrang Baan is an arrow shot toward the source of difficulty. Verses 9, 11, 12, 14, 16 all begin with the urgent imperatives "come, do not delay, run, strike". This makes the Bajrang Baan one of the most distinctive devotional texts in the Hindu corpus – a household prayer that is also a martial invocation.

The text's structure: 1 opening doha, 35 chaupais, and 1 closing doha. Verses 3-8 narrate Hanuman's Sundar Kand episode (the leap across the ocean, the encounter with Surasa, the killing of Lankini, the meeting with Vibhishana, the burning of Lanka). Verses 12-16 carry the central mantra-imperatives. Verses 15, 29-30 carry the bija-mantras. Verses 23-24 invoke Hanuman against ghosts and spirits. Verses 32-35 promise the rewards of recitation. The closing doha (verse 37) is virtually identical to the opening doha – framing the entire text as a single arrow shot from start to end.

The Bajrang Baan's wider companions are the Hanuman Chalisa (paired daily), the Sankatmochan Hanumanashtak (crisis-prayer companion), the Hanuman Bahuk (body-pain healing companion), the Ram Chalisa (verses 24-25 of Bajrang Baan invoke Ram's oath), and the Durga Chalisa (paired during Navratri for the warrior-Devi-Hanuman protective combination).

How to recite

A simple, sustainable approach. Nothing here is a hard rule – devotion shapes the form, not the other way around.

  1. Preparation

    Bathe and wear clean clothes – traditionally red or saffron, the colours of Hanuman. Sit facing south or before the home Hanuman murti / photograph. The traditional offerings: red flowers (especially the red hibiscus, jaba), gud-chana (jaggery and roasted gram – Hanuman's loved bhog), a small ghee diya, a piece of mauli thread, and dhoop (incense) – verse 35 names the dhoop directly: "dhoop dey aru japai hamesha". Begin only after first reciting the Hanuman Chalisa as a foundation.

  2. Posture and start

    Sit cross-legged with your spine straight. Bow once with the call "Jai Bajrang Bali". Take a moment of silence. The Bajrang Baan is a force-text – take a moment to set the intention: this is for severe difficulty, for protection, for the destruction of an obstacle. Offer a brief sankalp naming the matter at hand.

  3. Recitation

    Move through the 35 chaupais without rushing. Read with force, not with the gentleness of the Hanuman Chalisa – this is an arrow, not a hymn. Verses 12-16 are the imperatives (strike, come, run, do not delay). Verses 15, 29, 30 are the bija-mantra layers – many devotees pause on these and repeat them three times each. Verses 23-24 are the protection-against-ghosts verses – often slowed down particularly during supernatural-disturbance recitation. End with the closing doha.

  4. After

    Sit quietly with eyes closed. The standard close: Om Han Hanumate Namah recited 11 or 21 times, followed by Jai Bajrang Bali three times. Offer the gud-chana bhog and take a small portion as prasad. Many traditions also feed a stray dog or a monkey at the close.

  5. Daily practice and special days

    Tuesdays and Saturdays are the standard days. Always after the Hanuman Chalisa, never alone. Hanuman Jayanti in Chaitra Purnima (April) is the major day. Bajrang Baan 11-paath vows are taken at moments of severe crisis. The traditional rule: do not undertake daily Bajrang Baan recitation lightly. Many homes recite it only on Tuesdays/Saturdays as part of the regular Hanuman vrat, and add daily recitation only during stretches of severe difficulty. (This is a verse of devotional faith, not a replacement for medical care, mental-health support, or professional advice.)

Common questions

How is the Bajrang Baan different from the Hanuman Chalisa?
Both are by Tulsidas, but they serve different purposes. The Hanuman Chalisa is a 40-verse hymn of praise – it describes Hanuman's qualities, narrates his life, asks for grace. It is the daily anchor. The Bajrang Baan is a 35-chaupai hymn of action – urgent, repeated calls to Hanuman to come immediately, strike the enemy, lift the devotee. The word baan means 'arrow'. The Bajrang Baan is taken up when the situation requires force. The traditional rule: always read the Hanuman Chalisa first, then the Bajrang Baan after.
Should I recite the Bajrang Baan daily?
Yes – but with care. Many homes recite it on Tuesdays and Saturdays as part of the standard Hanuman vrat. Daily recitation is undertaken during stretches of severe difficulty: sustained illness, family crisis, supernatural disturbance, court matters that have gone on too long, sustained injustice. The traditional rule: do not undertake daily Bajrang Baan recitation lightly. Always read the Hanuman Chalisa first, never the Bajrang Baan alone. Many traditional gurus advise that daily Bajrang Baan recitation should be undertaken only with a clear intention – it is a force-text, not an ornament-text.
Can the Bajrang Baan help during supernatural disturbance or fear?
Yes – this is one of its central uses. Verses 23-24 directly invoke Hanuman against bhoot (ghosts), pret (spirits), pishach, nishachar (night-stalkers), agni-baital (fire-demons), and kaal-mari (death-bringers). Verses 32-35 promise that the recitation makes ghosts and spirits tremble. Many devotees recite it daily during stretches of fear, supernatural disturbance, or what is called buri nazar or tantra-prabhav. Pair with the Kali Chalisa for the wider Shakta protection. (This is a verse of devotional faith, not a replacement for medical care, mental-health support, or professional advice.)
What are the bija-mantras embedded in verses 15, 29, and 30?
The Bajrang Baan is one of the few mainstream household texts that embeds bija-mantras directly within its chaupais: Verse 15: Om Hreem Hreem Hreem Hanumant Kapisa; Om Hum Hum Hum Hanu Ari Ur Shisha (the seed-mantras Hreem and Hum applied to Hanuman). Verse 29: Om Cham Cham Cham Cham Chapal Chalanta; Om Hanu Hanu Hanu Hanu Hanumanta (the seed Cham for Hanuman's swiftness). Verse 30: Om Ham Ham Haank Det Kapi Chanchal; Om Sam Sam Sahami Parane Khal Dal (Ham for Hanuman's roar, Sam for the fleeing of enemies). These bridge the Bajrang Baan into the wider tantric Hanuman tradition. Many devotees pause on these verses and repeat them three or eleven times.
What is the Bajrang Baan 11-paath vow?
During a moment of severe crisis – sustained illness, court matter, supernatural disturbance, harm by a powerful enemy – many devotees take a vow to recite the Bajrang Baan 11 times in a single sitting. The traditional structure: in the morning, after a bath and before any other activity, sit at the home Hanuman shrine, light a ghee diya and dhoop, and recite the Bajrang Baan eleven times consecutively (about 65-70 minutes). After the eleventh paath, offer gud-chana, sit quietly for a moment, and conclude with Jai Bajrang Bali three times. The vow is undertaken once for a specific intention; some devotees repeat it weekly during sustained difficulty. (This is a verse of devotional faith, not a replacement for medical care or professional advice.)
Are there restrictions on who can recite the Bajrang Baan?
No. The Bajrang Baan was written for everyday recitation by ordinary householders. There is no menstrual restriction in mainstream practice. Important traditional rule: always read the Hanuman Chalisa first; never read the Bajrang Baan alone or as the first text in any sitting.
Can I recite the Bajrang Baan silently or while travelling?
Yes. Manasik (silent) reciting is valid – often the right choice when travelling, in offices, or in situations where loud recitation is not possible. Many devotees recite it silently during difficult moments – before a court hearing, during a long flight, before a confrontation.
Is there a special connection between the Bajrang Baan and the temples of Ujjain?
Yes – through the wider Hanuman tradition. Hanuman is the foremost Shiva-bhakta (he is the eleventh Rudra in some traditions). The Mangalnath Temple on the Shipra in Ujjain is the city's major Hanuman shrine, especially crowded on Tuesdays and Saturdays. Many devotees who undertake the Bajrang Baan 11-paath vow choose to do it at the Mangalnath Hanuman or at the Hanuman shrine within the Mahakaleshwar precinct. If you are visiting Ujjain – especially during Hanuman Jayanti or for any major crisis-vow – Aastha can guide you with a Mahakaleshwar–Mangalnath Hanuman sequence, which combines the Mahakal Bhasma Aarti with the Hanuman Bajrang Baan recitation.

Talk to Aastha

Looking for a Vedic puja in Ujjain?

Aastha is a small family in Ujjain that arranges Vedic pujas at Mahakaleshwar, Kaal Bhairav, Ram Ghat and other sacred sites. If a chalisa isn't quite what you need, we're here to listen. No pressure, no sales.

आस्था रखिए, हम सँभाल लेंगे।

or call us directly at +91 93295 95198