The Surya Chalisa is a forty-verse hymn to the Sun-god – the visible deity of the Vedic tradition, the source of all life and vitality, and the navagraha lord whose grace governs health, vigour, the heart, and clarity of thought. The chaupais open with Surya's many names – Savita, Divakar, Bhanu, Patang, Marichi, Bhaskar, Hans, Vivasvan, Aditya, Vikartan, Martand, Hari-roop, Virochan – before going on to describe his seven-horse chariot driven by Aruna (verse 5), the twelve names that are recited at sunrise (verses 8-9), and the protective placement of Surya across the body of the practitioner – the Surya Kavach (verses 17-26).

Sunday belongs to Surya. Many devotees recite the Chalisa at sunrise as part of the daily Surya Namaskar practice, often with offerings of water from a copper kalash. The major festivals are Ratha Saptami in Magha (January-February), the symbolic birthday of Surya, when twelve paaths through the day is traditional, and Chhath Puja in Kartik (October-November), the major Surya festival of Bihar, eastern UP, and Jharkhand. Makar Sankranti (Surya's northward turn), Karka Sankranti (his southward turn), and the Margashirsha Surya Bhajan Tuesdays are other major recitation days.

This page has the full Surya Chalisa with lyrics in Devanagari and Romanized English, and a short English meaning under every verse. Three closely related texts to know alongside – the Shani Chalisa (Surya's son, often paired in navagraha worship), the Hanuman Chalisa (Hanuman's teacher was Surya, and the Chalisa is paired daily with Hanuman in many homes), and the Gayatri Chalisa (the Gayatri mantra is itself a Surya hymn). The Surya Chalisa is the daily companion for any household where dawn worship is part of the practice.

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Surya Chalisa with Hindi-English Lyrics – Anuradha Paudwal, T-Series Bhakti
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Lyrics with meaning

The complete Surya Chalisa – two opening dohas, forty chaupais, and a closing doha. A short English meaning sits below every verse. Toggle the script to read in Devanagari, romanized, or both side-by-side.

Opening Doha

कनक बदन कुण्डल मकर, मुक्ता माला अङ्ग। पद्मासन स्थित ध्याइये, शंख चक्र के सङ्ग॥

Kanak badan kundal makar, mukta mala ang. Padmasan sthit dhyaiye, shankh chakra ke sang.

Body of gold, makara-shaped earrings, pearl garland on his form. Seated in lotus posture, meditate on him with his conch and discus.

Chaupai 1

जय सविता जय जयति दिवाकर। सहस्रांशु सप्ताश्व तिमिरहर॥

Jai Savita jai jayati Divakar. Sahasranshu saptashva timirahar.

Hail Savita, hail and victory to Divakar. Thousand-rayed, seven-horsed, destroyer of darkness.

Chaupai 2

भानु पतंग मरीची भास्कर। सविता हंस सुनूर विभाकर॥

Bhanu Patang Marichi Bhaskar. Savita Hans sunoor Vibhakar.

Bhanu, Patang, Marichi, Bhaskar. Savita, Hansa of beautiful radiance, Vibhakar.

Chaupai 3

विवस्वान आदित्य विकर्तन। मार्तण्ड हरिरूप विरोचन॥

Vivasvan Aditya Vikartan. Martand Hari-roop Virochan.

Vivasvan, Aditya, Vikartan. Martand, Hari-form, Virochan – all your names.

Chaupai 4

अम्बरमणि खग रवि कहलाते। वेद हिरण्यगर्भ कह गाते॥

Ambar-mani khag ravi kehlate. Ved Hiranyagarbh kah gate.

Sky-jewel, the bird (khag), Ravi – you are called by these names. The Vedas sing of you as Hiranyagarbha.

Chaupai 5

सहस्रांशु प्रद्योतन कहि कहि। मुनिगन होत प्रसन्न मोदलहि॥

Sahasranshu Pradyotan kahi kahi. Munigan hot prasanna mod-lahi.

Saying 'thousand-rayed Pradyotan' again and again. The sages become joyfully pleased.

Chaupai 6

अरुण सदृश सारथी मनोहर। हाँकत हय साता चढ़ि रथ पर॥

Arun sadrish sarathi manohar. Hankat hay saata chadhi rath par.

The captivating charioteer, Aruna-like in appearance. Driving the seven horses upon the chariot.

Chaupai 7

मंडल की महिमा अति न्यारी। तेज रूप केरी बलिहारी॥

Mandal ki mahima ati nyari. Tej roop keri balihari.

The glory of your mandala is wholly unique. Your radiant form – I offer myself in sacrifice to it.

Chaupai 8

उच्चैः श्रवा सदृश हय जोते। देखि पुरंदर लज्जित होते॥

Ucchaihshrava sadrish hay jote. Dekhi Purandar lajjit hote.

Yoking horses like the celestial Uchchaihshrava. Seeing them, Indra (Purandara) feels shame.

Chaupai 9

मित्र, मरीचि, भानु, अरुण, भास्कर। सविता, सूर्य, अर्क, खग, कलिकर पूषा, रवि॥

Mitra, Marichi, Bhanu, Arun, Bhaskar. Savita, Surya, Arka, Khaga, Kalikar Pusha, Ravi.

Mitra, Marichi, Bhanu, Arun, Bhaskar. Savita, Surya, Arka, Khaga, Kalikar-Pusha, Ravi. (The first ten of the twelve names of Surya.)

Chaupai 10

आदित्य नाम लै हिरण्यगर्भाय नमः कहिकै। द्वादस नाम प्रेम सो गावें मस्तक बारह बार नवावै॥

Aditya naam lai Hiranyagarbhay namah kahikai. Dvadas naam prem so gaven mastak barah baar navavai.

Saying Aditya, then 'Hiranyagarbhaya namah.' Singing the twelve names with love, bow the head twelve times.

Chaupai 11

चार पदारथ सो जन पावै। दुःख दारिद्र अघ पुञ्ज नसावै॥

Char padarath so jan pavai. Dukh daridra agh punj nasavai.

Such a person receives the four fruits of life. Sorrow, poverty, and the heap of sin are destroyed.

Chaupai 12

नमस्कार को चमत्कार यह। विधि हरिहर कौ कृपासार यह॥

Namaskar ko chamatkar yah. Vidhi Harihar kau kripa-saar yah.

This is the miracle of bowing to Surya. This is the essence of the grace of Brahma, Vishnu, and Shiva.

Chaupai 13

सेवै भानु तुमहिं मन लाई। अष्टसिद्धि नवनिधि तेहिं पाई॥

Sevai Bhanu tumhin man lai. Ashtasiddhi navnidhi tehin pai.

Whoever serves Bhanu with focused mind. Receives the eight siddhis and nine treasures.

Chaupai 14

बारह नाम उच्चारन करते। सहस जनम के पातक टरते॥

Barah naam uchcharan karte. Sahas janam ke patak tarte.

Whoever recites the twelve names. The sins of a thousand births are wiped away.

Chaupai 15

उपाख्यान जो करते तव जन। रिपु सों जमलहते सोतेहि छन॥

Upakhyan jo karte tav jan. Ripu son jamlahte sotehi chhan.

Those who narrate your story, your devotees. Their enemies are vanquished even at that very moment.

Chaupai 16

छन सुत जुत परिवार बढतु है। प्रबल मोह को फँद कटतु है॥

Chhan sut jut parivar badhatu hai. Prabal moh ko phand katatu hai.

In an instant, family with sons and grandsons grows. The strong noose of delusion is cut.

Chaupai 17

अर्क शीश को रक्षा करते। रवि ललाट पर नित्य बिहरते॥

Arka shish ko raksha karte. Ravi lalat par nitya biharte.

Arka protects the head. Ravi constantly resides on the forehead. (The beginning of the Surya-Kavach – placement of Surya's names across the body.)

Chaupai 18

सूर्य नेत्र पर नित्य विराजत। कर्ण देस पर दिनकर छाजत॥

Surya netra par nitya virajat. Karn des par dinkar chhajat.

Surya constantly resides on the eyes. Dinkar adorns the region of the ears.

Chaupai 19

भानु नासिका वास करहु नित। भास्कर करत सदा मुख कौ हित॥

Bhanu nasika vas karahu nit. Bhaskar karat sada mukh kau hit.

Bhanu always dwells in the nose. Bhaskar always benefits the mouth.

Chaupai 20

ओंठ रहैं पर्जन्य हमारे। रसना बीच तीक्ष्ण बस प्यारे॥

Onth rahain Parjanya hamare. Rasana beech teekshna bas pyare.

Parjanya rests on our lips. The sharp one (Teekshna) dwells on the tongue.

Chaupai 21

कंठ सुवर्ण रेत की शोभा। तिग्मतेजस: कांधे लोभा॥

Kanth Suvarn-ret ki shobha. Tigmatejas kandhe lobha.

Suvarn-ret adorns the throat. Tigmatejas adds beauty to the shoulders.

Chaupai 22

पूषां बाहू मित्र पीठहिं पर। त्वष्टा-वरुण रहम सुउष्णकर॥

Pusha bahu Mitra peethahin par. Tvashta-Varun raham sah-ushnakar.

Pusha rests on the arms, Mitra on the back. Tvashta and Varuna grace the warm one.

Chaupai 23

युगल हाथ पर रक्षा कारन। भानुमान उरसर्म्म सुउदरचन॥

Yugal hath par raksha karan. Bhanuman ur sarmm su-udar charan.

On the two hands he stands as protector. Bhanuman on the chest, on the noble belly the Charan.

Chaupai 24

बसत नाभि आदित्य मनोहर। कटि मंह हँस रहत मन मुदभर॥

Basat nabhi Aditya manohar. Kati mahan hans rahat man mud-bhar.

The captivating Aditya dwells in the navel. The Hansa rests at the waist, the mind full of joy.

Chaupai 25

जंघा गोपति सविता बासा। गुप्त दिवाकर करत हुलासा॥

Jangha Gopati Savita basa. Gupt Divakar karat hulasa.

Gopati Savita resides on the thighs. The hidden Divakar gives delight.

Chaupai 26

विवस्वान पद की रखवारी। बाहर बसते नित तम हारी॥

Vivasvan pad ki rakhwari. Bahar baste nit tam-hari.

Vivasvan guards the feet. Outside, the destroyer of darkness always resides.

Chaupai 27

सहस्रांशु सर्वांग सम्हारै। रक्षा कवच विचित्र विचारे॥

Sahasranshu sarvang samhare. Raksha kavach vichitra vichare.

Sahasranshu protects the entire body. The protective armour is wonderfully complete.

Chaupai 28

अस जोजन अपने मन माहीं। भय जग बीज करहुँ तेहि नाहीं॥

As yojan apne man mahin. Bhay jag beej karahun tehi nahin.

Whoever holds this yojan (placement) in their mind. The seed of fear in the world cannot touch them.

Chaupai 29

दरिद्र कुष्ट तेहिं कबहुँ न व्यापै। जोजन याको मनमहं जापै॥

Daridra kushta tehin kabahun na vyapai. Yojan yako manmahan jaapai.

Poverty and disease never afflict the one. Who chants this yojan in their mind. (A verse of devotional faith, not a replacement for medical care.)

Chaupai 30

अंधकार जग का जो हरता। नव प्रकाश से आनन्द भरता॥

Andhakar jag ka jo harta. Nav prakash se anand bharta.

The destroyer of the world's darkness. Filling all with new light and joy.

Chaupai 31

ग्रह गन ग्रसि न मिटावत जाही। कोटि बार मैं प्रनवौं ताही॥

Grah gan grasi na mitavat jahi. Koti baar main pranavon tahi.

Whom even the eclipse-causing planets cannot diminish. To him I bow ten million times.

Chaupai 32

मन्द सदृश सुत जग में जाके। धर्मराज सम अद्भुत बाँके॥

Mand sadrish sut jag mein jaake. Dharmaraj sam adbhut banke.

Whose son in the world is the slow one (Shani). And the wonderful Dharmaraj (Yama, also Surya's son) – an extraordinary one. (Surya's sons: Shani and Yama, both navagraha-related deities.)

Chaupai 33

धन्य-धन्य तुम दिनमनि देवा। किया करत सुरमुनि नर सेवा॥

Dhanya-dhanya tum dinmani Deva. Kiya karat sur-muni nar seva.

Blessed, blessed are you, the day-jewel god. Gods, sages, and humans all serve you.

Chaupai 34

भक्ति भावयुत पूर्ण नियम सों। दूर हटत सो भव के भ्रम सों॥

Bhakti bhav-yut puran niyam son. Door hatat so bhav ke bhram son.

With devotion and full discipline. One moves far from the delusion of worldly existence.

Chaupai 35

परम धन्य सो नर तनधारी। हैं प्रसन्न जेहि पर तम हारी॥

Param dhanya so nar tan-dhari. Hain prasanna jehi par tam-hari.

Most blessed is that human being. Upon whom the destroyer of darkness is pleased.

Chaupai 36

अरुण माघ मंह सूर्य फाल्गुन। मध वेदांग नाम रवि उदयन॥

Arun Magh mahan Surya Phalgun. Madh Vedang naam Ravi udayan.

In Magh he is Aruna; in Phalgun, Surya. In Chaitra (Madh) he rises with the name Vedanga. (The twelve monthly names of Surya across the year.)

Chaupai 37

भानु उदय वैसाख गिनावै। ज्येष्ठ इन्द्र आषाढ़ रवि गावै॥

Bhanu uday Vaisakh ginavai. Jyeshtha Indra Ashadh Ravi gavai.

Bhanu rises in Vaisakh. In Jyeshtha he is Indra; in Ashadh, Ravi.

Chaupai 38

यम भादों आश्विन हिमरेता। कातिक होत दिवाकर नेता॥

Yam Bhadon Ashwin Himreta. Kartik hot Divakar neta.

In Bhadon he is Yama; in Ashwin, Himreta. In Kartik he becomes Divakar, the leader.

Chaupai 39

अगहन भिन्न विष्णु हैं पूसहि। पुरुष नाम रवि हैं मलमासहिं॥

Aghan bhinna Vishnu hain pushahi. Purush naam Ravi hain malmasahin.

In Aghan (Margshirsha) he is the distinct Vishnu; in Pus, the same form. In the malmas (intercalary month), Ravi is named 'Purush.'

Chaupai 40

जो यह पाठ करै नित प्रातः। होय सिद्धि अनुपम सब बातः॥

Jo yah paath karai nit pratah. Hoy siddhi anupam sab batah.

Whoever recites this paath every morning. Achieves incomparable success in all matters.

Closing Doha

भानु चालीसा प्रेम युत, गावहि जे नर नित्य। सुख सम्पत्ति लहै विविध, होंहि सदा कृतकृत्य॥

Bhanu Chalisa prem yut, gavahi je nar nitya. Sukh sampatti lahai vividh, honhi sada kritakritya.

Whoever sings the Bhanu Chalisa with love every day. Receives various happiness and prosperity, and always remains successful.

Why this chalisa

What the Surya Chalisa is recited for, and what people turn to it for.

Anchor for Surya Namaskar

Many devotees recite the Chalisa as part of the daily Surya Namaskar practice at sunrise – often standing facing east, after offering arghya (water) from a copper kalash. Verse 14 promises that reciting the twelve names wipes away the sins of a thousand births. Pair with the twelve-name Surya Mantra for the complete practice.

Centrepiece of Ratha Saptami and Chhath Puja

Ratha Saptami in Magh (January-February) is the symbolic birthday of Surya – many homes recite the Chalisa twelve times through the day (one for each of the twelve names). Chhath Puja in Kartik (October-November) is the major Surya festival of Bihar, eastern UP, and Jharkhand – four days of fasting, sunrise and sunset arghya at the river ghat, with the Chalisa as the central recitation alongside the Chhath songs.

Companion to navagraha worship

Surya is the chief of the navagraha (the nine planetary deities). Verse 32 names Mand (slow one – Shani) and Dharmaraj (Yama) as his sons – the latter associated with afterlife and karma. The Chalisa anchors the navagraha worship: many devotees recite it on Sundays alongside the Shani Chalisa on Saturdays for the sun-Saturn axis. For navagraha shanti, the older practice is one Chalisa per planet on the appropriate weekday.

Help during illness and for vitality

Verses 17-29 narrate the Surya Kavach – the protective placement of Surya's names across the body. Verse 29 says directly: poverty and disease never afflict the one who chants this yojan in their mind. Many devotees recite the Chalisa daily during stretches of illness, especially for matters of the heart, the eyes, and the bones. (This is a verse of devotional faith, not a replacement for medical care.)

Companion to Hanuman worship

Hanuman is traditionally the disciple of Surya – he learned the Vedas and the arts from his solar guru. Many homes recite the Surya Chalisa alongside the Hanuman Chalisa at sunrise. The pairing is especially common in homes that keep a daily morning sadhana practice.

Companion to Vedic mantra practice

The Surya Chalisa is the most accessible link between household worship and the older Vedic Surya tradition. Verse 4 names Surya as Hiranyagarbha – the Vedic golden-womb. The Chalisa pairs naturally with the Gayatri Chalisa (the Gayatri mantra is a Surya mantra) and the daily sandhya practice. For Sanskrit study, the twelve-names verse (chaupai 9) is the simplest Surya mantra to memorise.

Origin

The Surya Chalisa carries no clear signature line. Many published copies attribute it simply to "tradition" – an honesty worth preserving. By language and style the text is generally placed in the 18th-19th century CE, written in a Hindi with strong Sanskrit influence (the twelve-name list in chaupais 9-10 is essentially a Sanskrit shloka rendered into the Hindi-Awadhi prosody). The Chalisa's structure is unusual in containing a complete Surya Kavach (the limb-by-limb protective placement, verses 17-29) – a feature drawn directly from the older Sanskrit Surya literature.

The text does not record a date of composition. The Chalisa is the most direct household-level connection to the older Aditya Hridaya Stotram (the Surya hymn from the Yuddha Kanda of Valmiki Ramayana, given by sage Agastya to Ram before the final battle with Ravana). Both texts share the listing of twelve names, the seven-horse chariot iconography, and the dispelling-of-darkness symbolism. The Chalisa itself was likely composed when devotees wanted a Hindi-language version of the Aditya Hridaya for daily recitation.

Surya himself is the visible deity of the Vedic tradition – the only Hindu god worshipped through his physical form, the Sun in the sky. Iconographically he is depicted golden-bodied (opening doha), with makara-shaped earrings and a pearl garland, seated in lotus posture, holding a conch and discus, riding a chariot drawn by seven horses driven by his charioteer Aruna. His sons named in the Chalisa are Shani (Mand, the slow one – chaupai 32) and Yama (Dharmaraj). The seven-horse chariot represents the seven days of the week or the seven colours of light. The Konark Sun Temple in Odisha is his most famous shrine in India.

The Chalisa's wider companions are the Shani Chalisa (his son), the Hanuman Chalisa (Hanuman is Surya's disciple), the Gayatri Chalisa (the Gayatri mantra is a Surya mantra), and the wider Aditya Hridaya Stotram from Valmiki's Ramayana. Many homes recite the Surya Chalisa daily at sunrise and the Aditya Hridaya on Sundays.

How to recite

A simple, sustainable approach. Nothing here is a hard rule – devotion shapes the form, not the other way around.

  1. Preparation

    Bathe at sunrise if you can. Wear clean clothes – traditionally orange, red, or yellow, the colours of Surya. Stand or sit facing east, ideally where you can see the rising sun. The traditional offering is arghya – water poured from a copper kalash facing the sun, with red flowers and a pinch of red sandalwood paste. None of this is strictly required.

  2. Posture and start

    Stand or sit facing east. Take a moment of silence. If reciting on Sunday, on Ratha Saptami, on Chhath Puja, or for a specific intention (illness recovery, vitality, navagraha shanti), offer a brief sankalp. Begin with the opening doha (Kanak badan kundal makar...) slowly while gazing in the direction of the sunrise.

  3. Recitation

    Move through the forty chaupais without rushing. Verses 1-8 establish Surya's many names and chariot iconography. Verses 9-10 are the twelve-names list – often slowed down particularly. Verses 17-29 are the Surya Kavach – placing Surya across the body. Verses 36-39 list the twelve monthly names of Surya across the Hindu year. End with the closing doha. The full recitation takes about seven minutes.

  4. After

    Sit quietly with eyes closed for a moment. Many people end with the bija mantra Om Hraam Hreem Hraum Sah Suryaya Namah recited 11 or 21 times. Pour the arghya from the copper kalash to the ground while facing east. Some traditions also do twelve Surya Namaskar sun salutations after the Chalisa.

  5. Daily practice and special days

    One paath a day at sunrise is the standard daily practice. Sundays are especially auspicious. Ratha Saptami in Magh (January-February) is the symbolic birthday of Surya – twelve paaths through the day is traditional. Chhath Puja in Kartik (October-November) is the major Surya festival – four days of fasting and sunrise/sunset arghya. Makar Sankranti, Karka Sankranti, and the Margashirsha Surya Bhajan Tuesdays are other major recitation days.

Common questions

Why is the Surya Chalisa specifically linked to Sunday?
Sunday belongs to Ravi – the day of Surya himself in the Hindu week. Many households keep a Sunday vrat – fasting through the day, wearing red or orange, offering arghya to the rising sun, and reciting the Chalisa eleven times. The Sunday Chalisa is also the central recitation for navagraha shanti when Surya is creating difficulty in the birth chart.
What is Ratha Saptami and how is the Chalisa recited?
Ratha Saptami (Magh Shukla Saptami, January-February) is the symbolic birthday of Surya. Many devotees fast through the day, bathe at sunrise (often with seven Erkka/Arka leaves on the head and shoulders – a traditional Ratha Saptami practice), recite the Chalisa twelve times across the day (one for each of the twelve names), and offer arghya at noon and sunset. Pilgrims travel to the Konark Sun Temple, the Sun Temple at Modhera (Gujarat), and the Suryakund at Hampi for the festival.
Can the Surya Chalisa help during illness or for vitality?
Verses 17-29 of the Chalisa contain the Surya Kavach – placing the names of Surya at every part of the body for protection. Verse 29 promises that poverty and disease never afflict the one who chants this yojan in their mind. Many devotees recite the Chalisa daily during stretches of illness, especially for matters of the heart, the eyes, the bones, and general vitality. (This is a verse of devotional faith, not a replacement for medical care.)
What is the difference between Surya Chalisa, Aditya Hridaya, and Gayatri mantra?
All three are Surya-centred. The Surya Chalisa is the daily forty-verse Hindi hymn – the foundation. The Aditya Hridaya Stotram is the older Sanskrit hymn from the Yuddha Kanda of Valmiki Ramayana, given by Agastya to Ram before the battle with Ravana – often recited on Sundays and during Saptami festivals. The Gayatri mantraOm Bhur Bhuvah Svah, Tat Savitur Varenyam, Bhargo Devasya Dhimahi, Dhiyo Yo Nah Prachodayat – is the most sacred Vedic mantra, addressed to Savitur (Surya as the sun in his life-giving form). The Gayatri is the seed of all Vedic worship; the Chalisa makes Surya-bhakti accessible for daily household practice.
Are there restrictions on who can recite the Surya Chalisa?
No. The Chalisa was written for everyday recitation by all Hindus. Surya is the universal deity – he rises and sets for all without distinction. Sunrise worship has been part of Hindu daily practice since the Vedic period. There is no menstrual restriction in mainstream practice (though some families follow the older convention of manasik paath).
Does language matter? My pronunciation isn't perfect.
Devotion matters more than perfect pronunciation. The Chalisa was written in Hindi with Sanskrit influence – the twelve-name list is essentially a Sanskrit shloka in the Hindi-Awadhi metre. Reading the romanized version is fine if Devanagari is unfamiliar.
Can I recite the Chalisa silently or while travelling?
Yes. Manasik reciting is valid and traditional. Many devotees who travel keep the Chalisa as the morning silent paath at the airport, on the flight, or at the hotel window facing east at sunrise. The Chalisa meets the devotee wherever the sunrise is visible.
Is there a special connection between the Surya Chalisa and the temples of Ujjain?
Ujjain is the most ancient Indian site for solar reckoning – the Tropic of Cancer passes through Ujjain (or did until quite recently in geological time), making it the original meridian for Hindu astronomical calculation. The Vedh Shala (Jantar Mantar of Ujjain) and the Yantra Mahal built by Maharaja Jai Singh II are major astronomical observatories oriented to Surya's position. The Mangalnath Temple on the Shipra is associated with the Mangal (Mars) graha but features a Surya shrine, and the Sun Temple at Suryamukhi Ghat is a small but historic dawn-worship site. Many devotees who visit Ujjain combine the Mahakaleshwar darshan with a Surya namaskar at the Vedh Shala or the Suryamukhi Ghat. If you are visiting Ujjain – especially during Ratha Saptami or Makar Sankranti – Aastha can guide you with both Mahakaleshwar darshan and a Surya-Vedh-Shala sequence.

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Looking for a Vedic puja in Ujjain?

Aastha is a small family in Ujjain that arranges Vedic pujas at Mahakaleshwar, Kaal Bhairav, Ram Ghat and other sacred sites. If a chalisa isn't quite what you need, we're here to listen. No pressure, no sales.

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